Apartheid

Political music is a fad in America.  Sometimes it’s popular, sometimes people just want to dance.  But what about musicians who don’t have the luxury of treating politics as a fad?  What about artists who live under such repressive and brutal conditions that they cannot afford to ever divorce their music from a political mindset?

This edition of Thriller examines POLITICS AND MUSIC through the eyes of three such artists:  Hugh Masekela, Albert Mazibuko (Ladysmith Black Mambazo) and Caetano Veloso.  Masekela and Mazibuko lived under apartheid in South Africa.  Veloso lived under a repressive regime in Brazil.  All were exiles from their home countries.  All have incredible stories to tell about the power of music to change the world.

Also, check out Gainesville musician David Borenstein’s beautiful first dispatch from China.  Borenstein moved there several months ago and writes about the changing political landscape through the eyes of ordinary Chinese people.

HUGH MASEKELA:  SONGS OF CONCERN

Hugh Masekela has seen a bit of it all.

Growing up in South Africa, the trumpet player used music as an act of defiance against apartheid.  He went into exile in New York City in the 1960s, recorded a number one hit (“Grazing in the Grass”) and watched Jim Crow and segregation crumble in America.  He married the South African singing legend Miriam Makeba and returned to South Africa to play with Paul Simon on the “Graceland” tour.  He watched apartheid crumble, writing music for Nelson Mandela.  In between, he toured the world many times while making music that can be searing, romantic, political and joyful all at once.

LADYSMITH BLACK MAMBAZO:  CONQUERING THE DEVIL

In 1969, Albert Mazibuko had the same rights as dirt.

As a black man under apartheid in South Africa, he couldn’t vote, couldn’t marry outside of his race, couldn’t even travel without official permission.

Sometime that year, Mazibuko’s cousin, Joseph Shabalala, asked him to sing in his group, Ladysmith Black Mambazo.  The group borrowed heavily from a style of soft a capella singing called isicathamiya (is-cot-a-ME-Ya), which was born in the mines of South Africa.

Now, nearly 40 years later, LBM’s trajectory has often mirrored that of their native country – from the hopeless depths of apartheid to a freedom sometimes marred by violence.

CAETANO VELOSO:  THE COMPLEXITY OF LIFE

Caetano Veloso is in a tight spot.  It’s December 27, 1968 and the Brazilian musician and activist is arrested and taken to army headquarters at Marechal Deodoro in Rio de Janiero where his long hair is forcibly shaven.

Brazil’s military dictatorship doesn’t like him much.  He is outspokenly leftist, which generally doesn’t go over well with dictatorships.  But the country’s socialist left wing doesn’t like him much either because he integrates non-nationalist influences like rock ‘n’ roll into his music.  So, Veloso goes into exile in London.

Postcards from China

Gainesville musician David Borenstein recently moved to China.  He writes about the changing political landscape as seen through the eyes of ordinary Chinese people.  You can find his and other articles at Asia Snapshots.  In his first installment for Thriller, Borenstein writes about a trip he took to the Ganzi Tibetan Autonomous Prefecture in West Sichuan to hike around the holy mountain of Minya Konka.